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This new edition of the highly successful Vehicle Maintenance and
Repair Level 1 workbook provides complete coverage of the QCF
National Occupational Standards at Level 1 as set by the IMI and is
in-line with VRQ and NVQ qualifications. Learners will be inspired
by the full-colour diagrams and images illustrating key techniques
and the Tip Boxes, weblinks, activities and questions will ensure
learners have full understanding of all the essential information.
This easy to use, easy to follow workbook ensures learners have all
the theoretical and practice knowledge in preparation for further
study or the world of work.
This new edition of the highly successful Light Vehicle Maintenance
and Repair Level 2 workbook provides complete coverage of the
National Occupational Standards at Level 2 as set by the IMI and
has been reviewed by Roy Brooks, the highly acclaimed author of the
first edition. The easy to use, easy to follow format makes this
the perfect companion for the course, for use in class and while
carrying out practical tasks. Learners will be inspired by the
full-colour diagrams and images illustrating key techniques and the
Tip Boxes, weblinks, activities and questions will ensure learners
have full understanding of all the essential information.
This new edition of the highly successful Vehicle Maintenance and
Repair Level 3 workbook provides complete coverage of the National
Occupational Standards at Level 3 as set by the IMI and has been
edited by Roy Brooks, the highly acclaimed pioneer of the entire
series. The easy-to-use, easy-to-follow format makes this the
perfect companion for the course, for use in class and while
carrying out practical tasks. Learners will be inspired by the
full-colour diagrams and images illustrating key techniques and the
Tip Boxes, weblinks, activities. Questions will ensure learners
have full understanding of all the essential information to equip
them for a Level 3 qualification.
This classic Victorian thriller was first produced in 1935. Jack
Manningham is slowly, deliberately driving his wife, Bella, insane.
He has almost succeeded when help arrives in the form of a former
detective, Rough, who believes Manningham to be a thief and
murderer. Aided by Bella, Rough proves Manningham's true identity
and finally Bella achieves a few moments of sweet revenge for the
suffering inflicted on her.
Brandon wants excitement and little cares how he gets it. He
persuades his weak-minded friend, Granillo, to assist him in the
murder of a fellow undergraduate. The two place the body in a
wooden chest and, to add spice to their handiwork, invite a few
acquaintances, including the dead man's father, round to a party,
the chest with its gruesome contents serving as a supper table. The
horror and tension are worked up gradually; thunder growls outside,
the guests leave, and we see the reactions of the two murderers,
watched closely by the suspicting Rupert Cadell. Finally, they
break down under the strain and confess their guilt. The final
curtain descends on Cadell blowing the whistle which will summon a
waiting policeman. Rope, first produced and published in 1929, was
filmed by Alfred Hitchcock in 1948 and remains to this day one of
the classics of the thriller genre.
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Hangover Square (Paperback)
Patrick Hamilton; Introduction by Anthony Quinn
1
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R345
R282
Discovery Miles 2 820
Save R63 (18%)
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Ships in 9 - 15 working days
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The seventy-fifth anniversary edition, with a new introduction by
Anthony Quinn. 'I recommend Hamilton at every opportunity, because
he was such a wonderful writer and yet is rather under-read today.
All his novels are terrific' Sarah Waters 'If you were looking to
fly from Dickens to Martin Amis with just one overnight stop, then
Hamilton is your man' Nick Hornby Patrick Hamilton's novels were
the inspiration for Matthew Bourne's new dance theatre production,
The Midnight Bell. London, 1939, and in the grimy publands of Earls
Court, George Harvey Bone is pursuing a helpless infatuation. Netta
is cool, contemptuous and hopelessly desirable to George. George is
adrift in a drunken hell, except in his 'dead' moments, when
something goes click in his head and he realises, without a doubt,
that he must kill her. In the darkly comic Hangover Square Patrick
Hamilton brilliantly evokes a seedy, fog-bound world of saloon
bars, lodging houses and boozing philosophers, immortalising the
slang and conversational tone of a whole generation and capturing
the premonitions of doom that pervaded London life in the months
before the war.
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